How to Snap a Magazine Cover Shot

Photographer Lee Cohen outlines what you need to create to cover shot.

Ditch the point-and-shoot and grab a digital SLR. The former takes fine pics, but many models fire a good second after pulling the trigger. Great photos require an immediate response.

Understand how your camera works. Set your ASA/ISO (light sensitivity) at 100 on a sunny day; 200 or 400 in flat light. Shoot at 1/800 of a second or faster to freeze action. Snow can fool a camera and look darker in photos. Try auto mode first, but if it’s too light or dark, use exposure compensation. Plus will let in more light; minus will let in less.

What will your frame consist of? Look for interesting light and composition. A useful guideline is the rule of thirds. Imagine your image split into thirds, vertically and horizontally, like a tic-tac-toe grid. Use the lines as guides for linear arrangement and the intersection points for subject matter. You can prefocus on a point of action or use autofocus to get more than one shot in quick succession.

Even pro skiers don’t always look solid, so use the terrain and your skier to anticipate the peak moment of action. Identify the points of a turn or an air when form comes together. Communication between skier and photographer is key for figuring out when and where to grab the best image.

Nail the shot. If you don’t, there’s always Photoshop.*

Utah-based photographer Lee Cohen has shot five covers for SkiingMagazine,

*What You Shouldn’t do With Photoshop: Over-cropping. Over-adjusting color. Over-sharpening. Over-blueing the sky. Over-tilting steeps. Over-anything, really.


Dan Carr Photography Tips

How to Shoot Ski Photos from a Helicopter

The work of Whistler-based ski photographer Dan Carr has been featured in ski magazines and commercials across the world. He recently returned from a heli-skiing trip to Alaska and spoke to us about what it’s like dangling from a chopper by a harness and how you can get a bird’s eye view without a helicopter.

While perfection isn’t absolutely necessary with a shot-ski it’s nice to come as close as you can to uniformity. First, pick the number of shots you’d like to have on your ski. Four is a nice round number and a good starting point. If you must have more than four shots on your ski, by all means go for it, but cramping the ski will probably only lead to awkward shot taking and more booze on people’s faces than in their mouths. A good rule of thumb for spacing is approximately 18 to 20 inches apart. Good spacing will allow for a more comfortable forward-facing approach to the ski, which is already a difficult thing to deal with. Make marks that are centered in the ski widthwise and get ready to drill.

Do-it-Yourself Shot-Ski

Everyone should have a shot-ski at their disposal. They're versatile, classy, and always appropriate. And, best of all, easy to make. Follow these simple steps to group-drinking greatness.